The game’s creators - James Silva and Michelle Juett Silva - disagree. So, while the majority of outlets apparently had no problem with this particular issue, two well-known reviewers intimated that gender inequality exists in Ska Studios’ punk rock-themed XBLA brawler. “All of the game’s characters, from the lowly fiend, to Charlie’s Band, to the final boss all exude personality,” he wrote. In fact, though he didn’t specifically mention Kelly in his review, Carter praised Ska Studios’ treatment of its characters.
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The closest any other professional games media outlet’s review comes to even talking about her seems to be Destructoid however, reviewer Chris Carter had no problem with Kelly or any other character in the game. Joystiq, GameTrailers, IGN, Official Xbox Magazine, GameSpot and Game Informer’s reviews gave no indication that their respective critics had any problem with Kelly’s in-game treatment. No other major publication seems to have thought so. Is this an indication of yet another case of gender inequality in video games? Really, it’s pretty hard to miss the fact that Kelly has relatively few notes to play, and that those she does have are all assigned to the same button.
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My co-op partner who chose to play as Kelly during XBLAFans’ time with the review code also pointed out how simplistic Kelly’s notes are compared to the rest of the bands’. Kelly’s stuck shaking a tambourine using a single button.” “During any of the several performance mini-games,” he wrote, “every other character plays an instrument via timed presses of the different face buttons. Continuing, Gies noted his displeasure with Kelly’s role in the Rock Band-like sequences that pop up a few times over the course of the game. Though he made no mention of the hotel scene specifically, Polygon’s Arthur Gies wrote in his Charlie Murder review that he was “surprised and more than a little annoyed” that Ska elected to make Kelly the band’s manager rather than giving her a larger part in the band proper. Groen wasn’t actually the only reviewer to raise an objection about Kelly’s appearance in the game. Furthermore, his review stated that he found “the game’s treatment of its lone female character a little bit unnerving.” In his Charlie Murder review, The Penny Arcade Report’s (PAR) Andrew Groen spoke ill of Kelly’s treatment during this scene as well as other unspecified ones during the game: “These moments are few, but gave a slightly icky feel to an otherwise masterful experience,” wrote Groen. I noticed it while playing through Charlie Murder for review, but I thought it merely a harmless joke about a woman who looks to weigh all of 90 pounds not being capable of destroying a mattress by kicking it.
Eventually, a male member of the band walks over and does the job of destroying the mattress that Skitten apparently could not accomplish on her own. The character is Kelly “Skelekitten” Skitten, and she spends most of the hotel scene meagerly kicking at a mattress while the rest of the band - which itself raises from hell in the game’s opening scene - raises hell. It’s not so much that the mattress is being kicked that caused the issue, but it’s the individual doing the kicking and the role she plays in the game on the whole that caused some reviewers to be put-off by the character. That little mattress-kicking bit, though, well, that seems to have upset at least a few game critics. So what, right? That’s all standard rock star fare, and it fits right into a game that celebrates nearly every aspect of the (undead) punk rocker lifestyle. Furniture is destroyed, a mattress gets kicked, hell is raised. The rambunctious five behave the way we’ve all come to expect rock stars to behave: irresponsibly. During the scene in question, the band does the rock star thing and tears apart a hotel room.
No, they don’t rock out, though the game does dedicates several scenes to just that. There’s a scene in Ska Studios’ Charlie Murder in which the members of the titular punk rock group do what rock stars do best.
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